1a LINE ARTs

Information about 1a LINE ARTs

Published on January 10, 2008

Author: Bianca

Source: authorstream.com

Content

Simplicity to Complexity:  Simplicity to Complexity in terms of line . . . The Obvious:  The Obvious STRAIGHT HORIZONTAL VERTICAL DIAGONAL Barnett Newman, Dionysius, 1944, 67x49in.:  Barnett Newman, Dionysius, 1944, 67x49in. Barnett Newman, Yellow Painting, 1949:  Barnett Newman, Yellow Painting, 1949 Giotto, Pieta (Lamentation) fresco:  Late Gothic/ Early Renaissance from 1305 BOLD DIAGONAL Giotto, Pieta (Lamentation) fresco Caravaggio The Calling of St. Matthew, 1599-1600:  Caravaggio The Calling of St. Matthew, 1599-1600 KEY IMAGE p. 273 Lines can be implied . . .:  Lines can be implied . . . IMPLIED LINES:  IMPLIED LINES Not really there but guide the eye or organize the image Diego Rivera, The Flower Carrier, 1935, 48x48 in.:  Diego Rivera, The Flower Carrier, 1935, 48x48 in. Note lines implied by directional gazes Morandi, Giorgio Still Life (The Blue Vase) 1920 Oil on canvas:  Morandi, Giorgio Still Life (The Blue Vase) 1920 Oil on canvas The blue lines point out . . . IMPLIED LINES Schiele, Egon Seated Girl 1911 Watercolor and pencil 48 x 31.5 cm:  Schiele, Egon Seated Girl 1911 Watercolor and pencil 48 x 31.5 cm Caravaggio, Supper at Emmaus, c.1601:  Caravaggio, Supper at Emmaus, c.1601 Kenneth Noland, Thrust, 1963 45 x 45 in.:  Kenneth Noland, Thrust, 1963 45 x 45 in. Lines can curve . . .:  Lines can curve . . . Bridget Riley Orphean Elegy I 1978 4 ft 7 1/4 in x 4 ft 3 1/4 in:  Bridget Riley Orphean Elegy I 1978 4 ft 7 1/4 in x 4 ft 3 1/4 in OP ART Cy Twombly, Untitled, 1970:  Cy Twombly, Untitled, 1970 This “artless” scribble:  This “artless” scribble Defines an area Creates an illusion of depth (volume) Look again …:  Look again … Brice Marden American, born Bronxville, New York, 1938   Cold Mountain 2, 1989-1991 Oil on linen, 108 1/8 x 144 1/4 in.:  Brice Marden American, born Bronxville, New York, 1938   Cold Mountain 2, 1989-1991 Oil on linen, 108 1/8 x 144 1/4 in. What lines lurk in this texture?:  What lines lurk in this texture? Jackson Pollock, Lavendar Mist No. 1, 1950:  Jackson Pollock, Lavendar Mist No. 1, 1950 Consider the expressive quality of the jagged lines in this work . . .:  Consider the expressive quality of the jagged lines in this work . . . Clyfford Still, 1957, No.1 :  Clyfford Still, 1957, No.1 Georgia O’Keeffe, Red, White and Blue, 1931:  Georgia O’Keeffe, Red, White and Blue, 1931 The Obvious Again:  The Obvious Again STRAIGHT CURVED – SMOOTH, JAGGED Clyfford Still American, 1904 - 1980   1948-C, (1948) Oil on canvas 80 7/8 x 68 3/4 in.:  Clyfford Still American, 1904 - 1980   1948-C, (1948) Oil on canvas 80 7/8 x 68 3/4 in. complex contour lines formed by these complex shapes Lines create or imply shapes:  Lines create or imply shapes Shapes can be open or closed Lines around a shape are CONTOUR lines SHAPE:  SHAPE open/closed geometric/ biomorphic or organic Picasso, Femme:  Picasso, Femme an open shape, a biomorphic form Frank Stella, Wolfeboro II, 1966:  Frank Stella, Wolfeboro II, 1966 closed, geometric VOLUME:  VOLUME Implied in painting; actual in sculpture LINE  SHAPE  VOLUME Rodin Balzac:  Rodin Balzac Volumes:  Volumes C A N C R E A T E LINES Frank Lloyd Wright, Fallingwater, 1936-37:  Frank Lloyd Wright, Fallingwater, 1936-37 Frank Gehry, Disney Concert Hall:  Frank Gehry, Disney Concert Hall Frank Gehry, Disney Concert Hall:  Frank Gehry, Disney Concert Hall Frank Gehry, Disney Concert Hall:  Frank Gehry, Disney Concert Hall Giusti Garden, Verona, Italy:  Giusti Garden, Verona, Italy Henry Moore Knife Edge Mirror Two Piece 1976-1978, bronze 534.5 x 721.1 x 363.1 cm (210 1/2 x 284 x 143 in.):  Henry Moore Knife Edge Mirror Two Piece 1976-1978, bronze 534.5 x 721.1 x 363.1 cm (210 1/2 x 284 x 143 in.) Moore, Henry Reclining Figure 1935-36 Elmwood:  Moore, Henry Reclining Figure 1935-36 Elmwood NEGATIVE SPACE Kenneth Snelson Rador, 1975 brass & stainless steel 21 x 17 x 6 inches:  Kenneth Snelson Rador, 1975 brass & stainless steel 21 x 17 x 6 inches Kenneth Snelson American, born Pendleton, Oregon, 1927 Needle Tower, 1968 Aluminum and stainless steel 720 x 243-1/2 x 213-3/8 in.:  Kenneth Snelson American, born Pendleton, Oregon, 1927 Needle Tower, 1968 Aluminum and stainless steel 720 x 243-1/2 x 213-3/8 in. Brancusi Adam and Eve 1921:  Brancusi Adam and Eve 1921 Slide45:  Bird in Space, 1923 Constantin Brancusi (French, born Romania, 1876–1957) Marble; (with base) H. 56-3/4, Diam. 6-1/2 in. BOTTOM LINE:  BOTTOM LINE The concept of line plays a role in compositions of music and art, ranging from the simple to the complex. LINE:  LINE What is a line in Art? Line – a series of points; an area whose length is considerably greater than its width; an indication of direction, an apparent movement. A line is a point moved or moving through space. This applies to drawing, painting, printmaking, sculpture, clay/pottery, and architecture. Characteristics of lines: lines can be actual or implied; a line which denotes or describes an outside edge of an object is a contour line. A contour line divides the plane or delineates an edge of a volume. A directional line points or moves the eye in a particular direction. Horizontal – often read as across, quiet, stable. Vertical: reaching up, spiritual, uplifting, rising. Diagonal: dynamic, moving. Lines can be interpreted as having expressive qualities; particular qualities – thick or thin, weighty or straight, hard-edged or soft – can indicate moods or feelings. ON HANDOUT Constantin Brancusi French, b. Hobitza, Romania, 1876 - 1957   Sleeping Muse I, (1909-1910) Marble 6 3/4 x 10 7/8 x 8 3/8 in.:  Constantin Brancusi French, b. Hobitza, Romania, 1876 - 1957   Sleeping Muse I, (1909-1910) Marble 6 3/4 x 10 7/8 x 8 3/8 in.

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