6cL opera Moz

Information about 6cL opera Moz

Published on January 15, 2008

Author: Rainero

Source: authorstream.com

Content

SUMMARY – 18TH CENTURY:  SUMMARY – 18TH CENTURY IDEAS – Enlightenment & rationalist Criticism ART – 3 genres: Rococo, Neo-Classical, Bourgeois (Genre) MUSIC – Genres such as the SYMPHONY and the STRING QUARTET emerge, all emphasizing CLARITY of musical ideas and the organization of CONTRAST, as exemplified by SONATA FORM key composers: HAYDN, MOZART & early Beethoven Classical Music:  Classical Music 1770-1820 Opera evolution:  Opera evolution Baroque recitative aria (solo) recitative aria recitative . . . action emote action emote action . . . Classical/Mozart recitative aria (solo) recitative ensemble . . . action emote action emotion & action ... contrasting emotions Mozart and opera:  Mozart and opera -- all voice ranges used (instead of the Baroque’s treble + bass preference) -- ensembles (groups of solo voices) now contrasted with arias and recitative -- several operas about contemporary characters, not mythological figures or ancient history from Rome or Greece (although he did a few of those, too) -- biting social commentary: the decadent aristocracy is compared to the normal, happy, healthy lust and love of the common folk -- recitative still used -- some in German with spoken dialogue Mozart and opera:  Mozart and opera Da Ponte – librettist The three Da Ponte operas: Marriage of Figaro (1786) (play by Beaumarchais) Don Giovanni (1787) Così Fan Tutte (1790) (libretto = “little book,” the story and words for an opera) Which one to choose as most representative? Mozart opera example:  Mozart opera example Cosi fan Tutte (they all do it) 3 pairs of voices – symmetry of design appeals to the Neo-Classical mind Rococo moral stance Rarely performed in the 1800s – now regarded as one of Mozart’s finest operas Ends with an appeal for forgiveness & HUMAN REASON Mozart opera example:  Mozart opera example Don Giovanni Don Juan as anti-hero – critique of aristocracy (a proud anti-hero, though – perhaps a reflection of the Enlightenment attitude about religion?) Rarely performed in the 1800s – now regarded as one of Mozart’s finest operas 1787 The Marriage of Figaro (Le Nozze di Figaro):  The Marriage of Figaro (Le Nozze di Figaro) celebration of “the common people” v. the decadent aristocracy 1786 Chardin The Prayer before Meal 1744 Bourgeois (Genre) Mozart listening example:  Mozart listening example -- finale from Act II of The Marriage of Figaro -- an ensemble scene (six voices) -- contrasting emotions presented simultaneously (compare that to the Baroque ideal aesthetic of Affect, one mood or emotion per piece) TEXTBOOK CD – Act I, Scene 1 Recognize this for exam SUMMARY – 18TH CENTURY:  SUMMARY – 18TH CENTURY IDEAS – Enlightenment & rationalist Criticism ART – 3 genres: Rococo, Neo-Classical, Bourgeois (Genre) MUSIC – Genres such as the SYMPHONY and the STRING QUARTET emerge, all emphasizing CLARITY of musical ideas and the organization of CONTRAST, as exemplified by SONATA FORM key composers: HAYDN, MOZART & early Beethoven

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